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Performing Lines – Diverse Collaborations

Performing Lines has over 50 projects in development across the country at any given time, ranging from conceptual development, presentation and touring.

We work with an incredibly diverse range of artists, reflecting a broad scope of artistic practice, voices and stories, and audience experience.

We’ve selected a sample from our portfolio below, which gives you an idea of the types of artists we are currently collaborating with, different form and content of work. Many of our artists and projects have the versatility to adapt to new presenting contexts.

Raghav Handa 

 

Raghav Handa is an Australian choreographer and performer of Indian heritage with training in modern and Indigenous contemporary dance. Blending Kathak principles with contemporary movement, speed and precision, to create multifaceted, engaging explorations of modern Australian cultural identity.  His work is highly physical and theatrical, incorporating diverse artistic media. Over the past eight years, their productions—TUKRE, MENS REA, FOLLY & TIME, DAWN, Follies of God and TWO—have been performed across Australia and internationally. He has introduced Indian audiences to contemporary dance and Australians to India’s cultural diversity. Handa has collaborated with leading choreographers and performed at Sydney Festival, Asia TOPA and Liveworks Festival of Experimental Art. Their work has been acclaimed in Sydney Morning Herald, Real Time, Indian Link, and DANCE Australia Magazine.

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Amrita Hepi

 

Amrita Hepi is an award-winning First Nations choreographer and dancer from Bundjalung (Aus) and Ngapuhi (NZ) territories. Her mission as an artist is to push the barriers of intersectionality and make work that garners multiple access points through allegories.

An artist with a broad following and reach, her work has taken various forms (film, performance, sculpture, text, lecture, paticipatory installation) but always begins from working with the body as a point of archive, memory and resistance.

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Nick Power

 

Nick Power is an Australian B*boy and choreographer whose work merges hip hop culture with contemporary performance. His projects span from remote Aboriginal communities to major international dance festivals. His recent work, Deejay X Dancer, premiered at Sydney Opera House, and Two Crews featured hip hop groups from Sydney and Paris. Between Tiny Cities toured globally and was nominated for Green Room & Australian Dance awards. A recipient of the 2018 Sidney Myer Creative Fellowship, Nick was also founding Artistic Director of Platform Hip Hop Festival (2008–2012), Australia’s largest hip hop festival.

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Lila Meleisea

 

Lila has an interdisciplinary and social practice that places equal importance on both process and outcome. An interdisciplinary artist, musician, and educator, her work is rooted in cultural research, community engagement, and environmental awareness. Her practice emphasises reciprocity, balance, and collaboration with people, nature, and the cosmos. A multi-instrumentalist, she plays saxophone, kora, Polynesian fagufagu (nose flute), and explores her connection to her Samoan and Oceanic roots through barkcloth making and circular resonance drawings. As a member of Samoan women’s group Suga, she has performed at Cannes Film Festival, Melbourne Festival, and MONA FOMA. Her work spans international stages, galleries, and community spaces, using music and storytelling to honor her Samoan heritage and deepen connections between people and place.

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BEAT Entertainment

 

BEAT Entertainment (BEAT) is a BIPOC, LGBTQI+, and First Nations-led company creating bold, original performances that blend choreography, music, costuming, and set design. Their work reimagines events and activations, fostering a village of Queer, BIPOC, and Indigenous excellence. Recent large-scale projects include the “FORMATION” Dance Series, which ran across six states, and their theatre work, RECKŌNING, HONŌUR, which recently took to the FedSquare stage for Midsumma and AUNTY, currently touring across regional Victoria. Premiering at Melbourne Fringe 2020, RECKŌNING won four awards, including Best Emerging Indigenous Artist. Led by Samuel Gaskin & Johnny Hamilton, BEAT continues to push creative boundaries, producing immersive, high-impact works that centre identity, culture, and community.

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Sampai Tak Sampai

Jumaadi and Michael Toisuta

Sampai, Tak Sampai (arrive, not arrive) by Michael Toisuta and Jumaadi is a performance exploring migration, inspired by the Javanese tradition of boyongan, where entire communities relocate with their belongings. Blending Jumaadi’s visual imagery with Michael’s intricate soundscape, the work draws from the sonic landscapes of mosques and marketplaces and features Padalungan music with Suwandi Widianto. Using drawing, shadow-making, and projection, Jumaadi navigates a shifting environment, while Michael shapes the sound design, integrating movement, and visual design into an immersive, multi-sensory experience.. Dramaturg Ruth Little supports the development of their performance language, integrating sound, movement, and visual design into an immersive, multi-sensory experience.

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LEGENDS (Of The Golden Arches)

Joe Lui & Merlynn Tong

A powerful and deeply personal examination of the Asian cultural experience and the enduring power of friendship. It showcases the hard-to-articulate blue-collar religiosity that doesn’t exist in Australia and challenges the notion of Chinese culture as sacred.

Two old besties, Merlynn and Joe, find themselves in the midst of a traditional Chinese funeral for their grandfathers in Australia. As they spend the night in vigil, performing the traditional rites of mourning families, they clash over the preservation of culture and tradition.

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In everything we do, we acknowledge that we live on Aboriginal land and constantly learn from the wisdom of First Peoples.

Where we are and the history that precedes us informs how we work and how we move forward. 

Aboriginal and Torres Strait Islander people should be aware that this website may contain images, voices and names of deceased persons.